The things that I took away from his examples were the importance of pacing and abstraction. These are things which aren't exclusive to children's books, but most books and are very appropriate for animation. I've noticed in various sources such as Rob's books and other animations that pacing is created when you step back from the details occasionally and give the reader/viewer a moment to appreciate the whole scene. This can sometimes be abstracted as well, which Rob does very well in his graphic forests, beautiful end papers and double spread layouts. Notice the simple colour scheme and use of blank space in the spread below.
His character design is also very clearly stylised as well, but he throws in some funny little touches such as the tats on this bear... 'after all they have to appeal to the parents too', he says, 'they're the ones buying the books!'
He was also kind enough to sign copies of his books, Blown Away and GRRRRR! for us, and wrote a lovely little note in the front of mine for my new nephew (complete with an illustrated penguin holding a personalised kite). I think apart from just his obvious design and story-telling talent, Rob seems to have a way with people, and that's part of why he's done so well. He's just a nice guy making nice books at the end of the day.
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