Inky Mandala Messing

I tried to create a sort of link between my Fibonacci film and the mandala clips by exploiting the freedom of movement in the ink pixilation. It nearly worked. With a background of ink experiment footage it might have looked a bit better, I think it's a bit rough as it is here though. I do really like the way the light from behind shone through my mandala cut outs though and that the ink could be seen spreading beneath them. It's messy but could be quite pretty with layers of colour. Unfortunately, this linking section wasn't needed in the end anyway as my other footage didn't work well with the green screen effect (think I needed to use a stronger colour to take out), so my mandala pixilation films couldn't really be edited together smoothly. Sad Face.

Pixelation is the way forward!

Soooooo, after 4/5 weeks of continuous drawing for this silly peg bar animation that I now hate from staring at it for so long, I managed to create 45 seconds of animation using the pixelation technique in an afternoon!!!! 
These sections of animation are quite quirky and sweet (I prefer them to my hand-drawn animation), but I'm not sure now if I'll be able to use them in a final film. The techniques I've picked up are useful for the future though, not just for the fact that it's a quicker process and therefore you can get much more done, but also because it gives a cute, homely quality to the film, which I love. (There was another video, but it is too large for the blog to handle unfortunately.)

Chakra Pixilation

This is the pixilation I made which should have gone over the ink footage from our workshop. I got the green screen (aka purple screen) wrong though and the keyer setting on Final Cut Pro X picked up too much of the rest of the image, rather than just the background. I tried adjusting the settings for the keyer effect so it would leave behind some tones but then my film had a lilac tinge to it which I disliked. This meant that the mandala film didn't get made in the end because my footage couldn't be linked in a professional way as it was. I would have needed to re-film all the pixilation work and there just wasn't time to do this. :( 

Papercraft Animations

My research into origami and papercraft has led me to paper-cutting in animation. As paper is such a versatile material, it can be used to create 3D stop-motion animations, because it both holds its shape and can be easily manipulated into new positions/forms. The best examples so far that I've come across are those by Andersen M Studio, who make short promotional animations for books, TV series and websites. My favourites are either the promotional video for the novel, 'The Distant Hours' or the advert for a new Discovery Channel TV show, 'Shackleton: Death or Glory'.

The Distant Hours video was beautiful because it used only basic materials of paper and dirt, but the lighting, sound and camera angles of the film made it into a short drama, filled with tension and intrigue. The juxtaposition of harsh straight edges and the curving lines of flowers also made it a beautiful film to watch, and attests to the wonderful combinations of shapes that can be achieved with just paper.

The Shackleton film appealed to me because of the connection between the materials used and the subject matter. The animators used nautical maps of the southern polar regions to create a ship and waterscape scene based around Shackleton's journey to Antarctica.

https://www.youtube.com/watch?feature=player_detailpage&v=w694zRej5QQ

After seeing these gorgeous animations, I'd really love to combine paper-cutting into my 2nd film based around mandalas, pattern-making and balance. I think because of time limitations and because I've never done a paper stop-motion before, I will probably keep the film quite simple. Perhaps just spinning mandala patterns overlapping and intertwining for one scene of the film before they fold into an origami shape for example.